Yep, I am at again. I want you all to know that I painted this madrone in my nightgown! I am a devoted painter or perhaps crazy? The photo above doesn’t quite show the redness of the tree, the salmon color on the ground is perhaps a few shades brighter. The darks didn’t come out as dark as they should. The yellow and gold in the leaves are not quite brilliant enough in this photo but at least you get the idea. I tried my best to marry up the photo to my painting, it was difficult in this painting for some reason.
Having not painted en plein air in pastel for a while, I resented having my hands getting dirty, how did I ever get used to this problem when I first started? I am an aggressive painter and I had forgotten to go light with my softer pastels, I learned the hard way. I had one crumbled right in my fingertips. Lesson learned. I might go back and give my sky holes a lighter blue, they don’t show up well enough to read as sky.
I had an absolute blast and the process of creating a painting and decision making was no different between watercolor or pastel. That was a surprise for me. I have worked with both mediums in the past but the fact that I haven’t painted in pastel for over a couple months, I was able to decipher this difference.
Another realization that came to me after I had posted and looking at my painting, I feel that I over-worked it and the plein air looseness and freshness has been lost. I have recognized this before in some of my paintings and I would call it “boring or ho-hum” and the fact came to me that I was detecting a painting that has been over-worked. I never connected the two before and I think that now that I have recognized the fine line, I can head off this tendency to over-work. Of course it might be other factors that will make a painting ho-hum but in this case my painting has been over-cooked.
I feel the reason I take a painting too far is that I am trying to work out the problems; either the values are off or I am thinking that I am not depicting it like I see it or want it. Working it until I get there can be a trap. I have worked something until I got what I wanted and I have been able to do this without over-doing it. It can be done and it is achievable, it takes being sensitive to knowing when I am over stepping this fine line into being over-worked. Something that I will be more aware of and be working on. It is a never ending, learning task being an artist.
My learning points:
- I hate Mi-Teintes Touch…not enough of a gritty surface for my personal taste. I am aggressive and it was too mediocre in receiving the pastel. I fought my paper.
- Mid-tones are so important in building up your values, it is the foundation of your painting. I always seem to go dark and then concentrate on the lights. Not sure how to alleviate this lack of seeing and putting in my mid-tones. It is a work in progress learning this.
- Even though I painted in my gown, I will not do naked, no thank you.
- In order to depict details such as leaves, this can be done in a impressionistic grouping, convey it simply and bring in only necessary detail to convey the motif as needed.
- Watch the fine line between good enough and too much, there is always next time, keeping it fresh and lively is key for plein air.