Painting Delayed, Doggie Sitting Here I come

P1220753.JPGpainting #1 Remembered landscape

The painting above is from a memory of a scene that I have been painting over and over again. It is actually at the North Yuba river but you wouldn’t know it by the way I simplify and abstract the elements.

I will be taking a short hiatus from painting while I am doggie sitting my Granddog. We have many plans for hiking, playing, watching tv, catching up with my reading, making new doggie friends. I am thinking about taking my art supplies but it might be too much of a hassle to take my watercolor equipment. I might do some research and take art books to study, we’ll see.

P1220759painting #2 North Yuba at Hall’s Ranch

I am undecided about this one, it is difficult to make sense of the rapids in this photo but in reality it is far better. I think that there is conflict about the focal area. But I do like the mood, let’s end on a positive note, right?

P1220756#3 Remembered landscape wip (I think!)

Another one, I did these in quick succession, hoping to thrust me into some imaginary land, creative muse on the mark, get set go mood.

P1220757painting #4 Remembered landscape of Lake Frances

Oh I wished that I could marry up the photo to my actual painting, I am very hard critic with my paintings but this one is beaming bright in my heart!

P1220758painting #5 Remembered landscape wip

This one I have yet to make some sense of various areas. I lost distinction of the river, I’ll work with it to get it to come alive.

P1220754.JPGpainting #5 Abstract wip

I have no idea what this will be, who knows? I am not worried, I might get a sky or a landscape or both by the time I am finished with it. I wanted to include it just because I wanted to stress a point that sometimes a painting can be one that evolves over time. I might let it sit for a while and work on it once I get back to my studio. Or, I might turn it over and paint on the other side.

Until next Saturday, Happy Painting!!

 

 

Advertisements

Busy Painting

P1220500.JPGpainting #1 Morning  light on Oregon Creek

I had hoped that I could marry up my photo to the actual painting, I did a pretty close job, the grayed down colors aren’t showing up as it should and the backlight isn’t coming through as dramatic as I like. But aside from my silly complaints, I adore this painting! One of my favorites.

Lately I have been delving more into a minimalist approach to painting and I feel that it fits my style. The painting above was one of those exercises that I pursue now and then to keep my technique honed but it came across with more feeling than I had anticipated. It is an area that I have visited quite often, only down the road a few miles from me and about a 5 minute hike in.

P1220475.JPGpainting #2 imagined landscape

I painted this one when we were out of power and I painted in front of the woodstove. It is such a hassle to take my painting supplies down to another location in the house but it was well worth the struggle. I originally planned on a dramatic sky but my sky turned into a wild free for all landscape, punched up with dramatic color.

P1220472.JPGpainting #3 Remembered Landscape of Sand Pond

I enjoyed painting this one and I love that glow coming through to the left.

P1220501.JPGpainting # 4 imagined landscape

I struggled in getting the correct colors but I think that it is pretty close, though the foreground is more ochre in reality than it appears here. I loved splattering on water and watching the magic. Watercolor is so much fun! I ADORE the medium!!

P1220494.JPGpainting #5 imagined landscape

I woke up on Christmas Eve with this glorious streaming light imagery in my mind’s eye and I had to paint immediately. I painted 4 within a 3 hour period. This is one of them.

P1220492.JPGpainting #6 one of the four in a series based upon light

I think of all the four (of which I am showing only two in this post) this is my favorite. For one thing, I didn’t think it was working and I soon realized that the orientation changed on me. I envision it as a “waterfall” of light. I painted it entirely by instinct and I knew when to brush on water to create those swirls of bloom. I feel that this is where my spirit soars with watercolor. I find anymore that forego drawing on my paper but get down to business with painting. I thought in the past that it was impatience but it is because most of my paintings veer from the lines that I would draw anyway.

P1220498.JPGpainting #7 wip imagined painting

I included this one though I didn’t edit the photo. I am letting this sit a bit to see what I need to do with it. I have a fascination with light. For the past several days as I paint these paintings focusing on light, I have been listening to an Icelandic group by the name of Sigur Ros, it fits the mood to the T.

I recently sold of one my paintings to someone here on WP and I think that it came at  a time that I needed a little validation. Thank you so much and you know who you are! I also sold two more just this past week and even though I don’t paint to sell, it has encouraged me to continue on. I am considering taking January off to focus on my painting but who knows I might post, We’ll see.

Happy New Year! Be encouraged and keep painting. It takes a lot of determination and work but well worth the effort! So keep on!

 

 

 

 

 

Happily Painting

P1220483.JPGPainting #1 remembered landscape

I didn’t realize that it has been almost a month since my last post! I have been painting up a storm and sometimes I forget or dread posting here because it takes more time than on Instagram.

The painting above was thrilling to paint because I let all restraint go and let loose. I love texture and flicking on some drops of water and watching the results was fabulous. I think that is why I adore watercolor. The opportunity to let the paint do its thing and I am a willing partner.

P1220477.JPGPainting #2 Humbug Creek

I gave up on this painting once it was dry. It was started as a saturated wet on wet but I didn’t like the weak look. I have to admit I get impatient and I like to “sculpt” my paintings while they are wet. Once it is dry I will go back in and adjust but I like to paint about 75-80% in the first round. I started an abstract on the other side and abandoned that one because of feeling picky.

I turned this one over and I realized that I liked it more than I thought originally and finished it. To me it looks like it could be in the swamps somewhere in the Southeast US.

P1220482.JPGPainting #3 Bullards Bar Reservoir – evening light

I love morning and evening light at Bullards, something magical with the area. I am fortunate that I live within 5-8 minutes of this area.

P1220474.JPGPainting #4 Bullards – remembered landscape

While our power was out, I sat in the front of the woodstove to paint this one. I used my memories to paint it and I am quite happy with it. I can go with more detail with the water but wanted to remain simplistic.

P1220471.JPGPainting #5 Imaginary Scene

This started out from referring to a photo of some trees at the North Yuba but it took on a different scene and I am alright with that. I do believe that I need to soften the horizon line, seems too sharp and “chunky”, an easy fix.

I have to tell you about those trees on the right. I am finding that I don’t like to depict something too realistic because frankly it bores me. I didn’t like the trees at the onset because of that fact, I simply took my sprayer and watched it pull the color away and I ended up with something I could build upon. Again, watercolor at its finest moment. The medium is meant to be spontaneous, finding serendipity in creativity.

P1220473.JPGPainting #6 abstract

Originally this started out as an imaginary scene but I didn’t care for it until I saw a shape that I spurred me on to start “building” my painting. Away I went and before long I ended up with this abstract. My photo gives some hard and dirty edges that are not in reality, bear that in mind.

P1220452.JPG

Painting #7 Remembered landscape

My favorite scene of course! I had a difficult time getting my photo and painting to marry up but I am satisfied enough to include this. I am quite happy with this and I took a few days in assessing and painting it slowly.

I hope to post more often, a month is much too long. I am happy to report that I am feeling more and more confident and the scourge of my perfectionism is letting up. When I struggle with it, I walk away and work through it before returning to painting. Thank Goodness! Happy painting folks!

Glorious Color

P1220419.JPGPainting #1 Imagined landscape on Arches 140#

I have been enjoying more warmth in my paintings lately. I am a lover of blue but want to reach out towards a little heat. This particular scene is in Colusa County on a day trip with my big brother Doug. I am working more and more from my imagination and memory rather than photos. Easy for me now that I am willing to let loose and not rely on relentless detail.

P1220423.JPGPainting #2 Remembered Landscape on Arches 140#

I don’t think that I’ll ever tire of this scene. I am intrigued by the light and the overall feeling.

P1220427.JPGPainting #3 Sand Pond on Lanaquarelle 140#

One of my favorite scenes on my favorite paper. I didn’t plan on that golden pyramid shape in the background, it “snuck” in but I would like to think that it is a sunlit mountain, let the imagination work.

P1220418.JPG

Painting #4 Imagined Landscape on Arches 140#

Basically the technique with these imagined landscapes is working wet on wet and building a scene intuitively.

P1220422.JPG

Painting #5 Abstract

I love abstracts and when I paint them I work entirely by intuition.

P1220420.JPG

Painting #6 Imagined Landscape Arches 140#

I had the most difficult time getting the colors to match up with my painting. I do believe that my photo on Instagram is much better.

I don’t have as much time this week to paint because I will be running into town twice this week. I have to pick up a painting from my framer that I won via ArtistNetwork. It is an original painting by Thomas Schaller, one of my favorite watercolorists. Talk about exciting to have won something, a first time for me.  Happy painting folks!

 

 

Moonlight Series #4

 

P1190881.JPG
on Arches 140# quarter sheet

I have been working on this one for several weeks. Yesterday I wasn’t satisfied with the other half of the painting and split it in half and switched the orientation and found out that I like it better this way! I added a bit of yellow acrylic and now I feel satisfied that it is finished.

I follow my inner creative in my decision making in what to paint or how. I had no preconceived idea on how to start this painting or finish. I wait until I get an idea of a shape or color and then follow along.

Setting aside a painting, especially an abstract is important, sometimes it takes a while for creativity. It is very odd that I’ll work on a painting and then discover that the orientation is different from my original plan.  Here are the other posts about this series: Moonlight Abstract #1  Moonlight Abstract #2 and Falls  Moonlight #3 & Co.

 

*A word about photos. The photos on my blog are mine, taken by me and copying them would be stealing from me. If you find a photo that you would like to copy or use, I request that you ask me for permission and I expect you to give me full credit for my own photo. Thank you so very much.

 

Moonlight #3 & Co.

 

P1180743
painting #1 on Canson Heritage quarter sheet

The idea for this painting came to me the other night and I knew exactly how to paint it from start to finish, of course I knew how to paint it intuitively, that is! Here are my other two Moonlight paintings: Moonlight Abstract #1 and Moonlight Abstract #2 and Falls

I originally envisioned my being able to “twirl” my board and do some crazy paint flinging but I had to improvise and tilt my board to make it go like wild. I added water here and there to get the paint to move and I used my sprayer to make some texture. I re-emphasized the red dots and dashes for a little boost.

My husband wondered if that area to the left with the curved band needs something. I told him that it gives a resting area for the eye but the more I look at it, I wonder if it could use a thin dark blue band. What do you all think?

technique: saturated wet on wet, Daniel Smith colors used: Quin. Red, Hansa Yellow Md, Ultramarine Blue, Indanthrone Blue, Indigo and Moonglow.

 

P1180745.JPG
painting #2 on Canson Heritage

I love the softness to this one and yet it needs some “zing” and at the same time, I love it the way it is. I might let this sit for a spell and maybe I’ll add more to it or call it finished.

Technique: saturated wet on wet. Daniel Smith colors used: Quin. Red, Hansa Yellow Med., Cobalt Blue, Moonglow

*A word about photos. The photos on my blog are mine, taken by me and copying them would be stealing from me. If you find a photo that you would like to copy or use, I request that you ask me for permission and I expect you to give me full credit for my own photo. Thank you so very much.

 

 

 

 

Moonlight Abstract #2 and Falls

P1180333.JPG
Moonlight #2 on Canson Heritage 140# 11 x 14 inches
I didn’t have much of an idea in mind when I started this second painting in the series. Here is the first in the series: Moonlight Abstract #1 I started out with the orientation of the moon more to the right and by the time I was finished, I liked the painting switched around. I painted this wet on wet and painted only what I felt moved make a mark. I always stand while I paint and I step away often and tilt my head, it helps with perspective.
I painted only when I was in the groove and as soon as my creative vision waned, I stopped immediately. I take a break up to 20 minutes and come back to paint only if I had that creative zone happening. Again, as soon as I sensed that it waned, I stepped away. I also don’t judge the painting when I am not in a session.
P1180334
Falls on Canson Heritage 140# 11 x 14 inches
I had started this during the weekend and finally finished it up today. I painted this saturated wet on wet which is fast becoming one of my favorite ways of painting. This paper is also one of my all time favorite paper for this technique. I painted this one intuitively and didn’t adhere to realism which is becoming more and more of my preferred way to paint.

Moonlight Abstract #1

 

P1170861

 

I have started a series of abstracts that will be based upon some photos that I took of the full moon. I think that this is the first abstract that I like very much. They are quite difficult to do at least in my opinion. I am wanting to venture out and being more creative and not so reliant upon realism. Reason being is that I am hoping to be more creative and search for the style that I ultimately am reaching for.

 

The Weary Paints On!

 

P1170220.JPG
painting #1 wip on Arches 140# 11 x 14 inches

I have been struggling with an intense cold but I still manage to paint. No holding back now! This abstract is one that I keep visible while I work on other paintings. I keep painting on it in increments but only adding what I feel it needs and no more. In a way it is an artistic muscle builder.

 

P1170218.JPG
painting #2 on Arches 140# cp  11 x 14 inches

I am not sure if I like this one, and yet when I am working on it, I love it. The critic in me wants to jump all over it. This is based on my trip over to remote Bear Valley in Glenn Co.

 

P1170221.JPG
painting #3 on Canson Heritage cp 140# 11 x 14 inches

I practiced my wet on wet on this paper hoping to go very impressionistic. I pulled out shapes as I saw them. I over-worked the left side and basically lost my focal point. No matter, there are more paintings waiting and more lessons to be learned.

 

P1170215.JPG
painting #4 on Canson Heritage cp 140# 11 x 14 inches

I again decided to paint wet on wet and I really love how you can work on a painting for over 2 hours non-stop. My photo made that area behind the sun-lit trees too blue, it is actually a grayed down purple/blue and green color. There is a point that you know that you have to wait for it to dry before proceeding to add your calligraphy  marks or to correct. This paper is perfect for this technique and it dries extremely flat which I really like.

*A word about photos. The photos on my blog are mine, taken by me and copying them would be stealing from me. If you find a photo that you would like to copy or use, I request that you ask me for permission and I expect you to give me full credit for my own photo. Thank you so very much.

 

 

 

 

 

Looking Back at 2016

My  goodness time sure flies and here we are just at the door of 2017. I have been busy painting but posting only when I feel something is ready. I really like my slow approach. I have been painting a lot behind the scenes but slowing down my posting, it makes sense for me because I want to focus more on the art. Bear with the length of the images, I have been having a difficult time with uploading photos and having my page get stuck many times. This is the easiest way to put together this post. I will do a post in the next few days of my favorite photos of 2016 as I am getting impatient with how long this is taking. It has been a fantastic year and I am looking forward to what 2017 will hold for me and my art endeavors.

Here are my favorite paintings of the year, first the pastels:

479060_4062506243125_767236936_o

P107001312190065_10207883404825129_1992031849381392919_n

P1070860

 

12715493_10208560804599700_6303037162061911964_n

p1130968

 

P1070947 (1)
My intuitive painting

 

Now for the watercolors that I liked the best:

P1080064

P1080176

P1080538

 

 

 

 

 

 

 

 

 

 

 

p1120544P1120281

P1080572

P1080653

P1090300     P1100584

p1130029

p1120956

 

 

P1110179
My most favorite watercolor painting

 

p1140402-2
another all time favorite!

p1140733

*A word about photos. The photos on my blog are mine, taken by me and copying them would be stealing from me. If you find a photo that you would like to copy or use, I request that you ask me for permission and I expect you to give me full credit for my own photo. Thank you so very much.