Happily Painting

P1220483.JPGPainting #1 remembered landscape

I didn’t realize that it has been almost a month since my last post! I have been painting up a storm and sometimes I forget or dread posting here because it takes more time than on Instagram.

The painting above was thrilling to paint because I let all restraint go and let loose. I love texture and flicking on some drops of water and watching the results was fabulous. I think that is why I adore watercolor. The opportunity to let the paint do its thing and I am a willing partner.

P1220477.JPGPainting #2 Humbug Creek

I gave up on this painting once it was dry. It was started as a saturated wet on wet but I didn’t like the weak look. I have to admit I get impatient and I like to “sculpt” my paintings while they are wet. Once it is dry I will go back in and adjust but I like to paint about 75-80% in the first round. I started an abstract on the other side and abandoned that one because of feeling picky.

I turned this one over and I realized that I liked it more than I thought originally and finished it. To me it looks like it could be in the swamps somewhere in the Southeast US.

P1220482.JPGPainting #3 Bullards Bar Reservoir – evening light

I love morning and evening light at Bullards, something magical with the area. I am fortunate that I live within 5-8 minutes of this area.

P1220474.JPGPainting #4 Bullards – remembered landscape

While our power was out, I sat in the front of the woodstove to paint this one. I used my memories to paint it and I am quite happy with it. I can go with more detail with the water but wanted to remain simplistic.

P1220471.JPGPainting #5 Imaginary Scene

This started out from referring to a photo of some trees at the North Yuba but it took on a different scene and I am alright with that. I do believe that I need to soften the horizon line, seems too sharp and “chunky”, an easy fix.

I have to tell you about those trees on the right. I am finding that I don’t like to depict something too realistic because frankly it bores me. I didn’t like the trees at the onset because of that fact, I simply took my sprayer and watched it pull the color away and I ended up with something I could build upon. Again, watercolor at its finest moment. The medium is meant to be spontaneous, finding serendipity in creativity.

P1220473.JPGPainting #6 abstract

Originally this started out as an imaginary scene but I didn’t care for it until I saw a shape that I spurred me on to start “building” my painting. Away I went and before long I ended up with this abstract. My photo gives some hard and dirty edges that are not in reality, bear that in mind.

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Painting #7 Remembered landscape

My favorite scene of course! I had a difficult time getting my photo and painting to marry up but I am satisfied enough to include this. I am quite happy with this and I took a few days in assessing and painting it slowly.

I hope to post more often, a month is much too long. I am happy to report that I am feeling more and more confident and the scourge of my perfectionism is letting up. When I struggle with it, I walk away and work through it before returning to painting. Thank Goodness! Happy painting folks!

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Glorious Color

P1220419.JPGPainting #1 Imagined landscape on Arches 140#

I have been enjoying more warmth in my paintings lately. I am a lover of blue but want to reach out towards a little heat. This particular scene is in Colusa County on a day trip with my big brother Doug. I am working more and more from my imagination and memory rather than photos. Easy for me now that I am willing to let loose and not rely on relentless detail.

P1220423.JPGPainting #2 Remembered Landscape on Arches 140#

I don’t think that I’ll ever tire of this scene. I am intrigued by the light and the overall feeling.

P1220427.JPGPainting #3 Sand Pond on Lanaquarelle 140#

One of my favorite scenes on my favorite paper. I didn’t plan on that golden pyramid shape in the background, it “snuck” in but I would like to think that it is a sunlit mountain, let the imagination work.

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Painting #4 Imagined Landscape on Arches 140#

Basically the technique with these imagined landscapes is working wet on wet and building a scene intuitively.

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Painting #5 Abstract

I love abstracts and when I paint them I work entirely by intuition.

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Painting #6 Imagined Landscape Arches 140#

I had the most difficult time getting the colors to match up with my painting. I do believe that my photo on Instagram is much better.

I don’t have as much time this week to paint because I will be running into town twice this week. I have to pick up a painting from my framer that I won via ArtistNetwork. It is an original painting by Thomas Schaller, one of my favorite watercolorists. Talk about exciting to have won something, a first time for me.  Happy painting folks!

 

 

Moonlight Series #4

 

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on Arches 140# quarter sheet

I have been working on this one for several weeks. Yesterday I wasn’t satisfied with the other half of the painting and split it in half and switched the orientation and found out that I like it better this way! I added a bit of yellow acrylic and now I feel satisfied that it is finished.

I follow my inner creative in my decision making in what to paint or how. I had no preconceived idea on how to start this painting or finish. I wait until I get an idea of a shape or color and then follow along.

Setting aside a painting, especially an abstract is important, sometimes it takes a while for creativity. It is very odd that I’ll work on a painting and then discover that the orientation is different from my original plan.  Here are the other posts about this series: Moonlight Abstract #1  Moonlight Abstract #2 and Falls  Moonlight #3 & Co.

 

*A word about photos. The photos on my blog are mine, taken by me and copying them would be stealing from me. If you find a photo that you would like to copy or use, I request that you ask me for permission and I expect you to give me full credit for my own photo. Thank you so very much.

 

Moonlight #3 & Co.

 

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painting #1 on Canson Heritage quarter sheet

The idea for this painting came to me the other night and I knew exactly how to paint it from start to finish, of course I knew how to paint it intuitively, that is! Here are my other two Moonlight paintings: Moonlight Abstract #1 and Moonlight Abstract #2 and Falls

I originally envisioned my being able to “twirl” my board and do some crazy paint flinging but I had to improvise and tilt my board to make it go like wild. I added water here and there to get the paint to move and I used my sprayer to make some texture. I re-emphasized the red dots and dashes for a little boost.

My husband wondered if that area to the left with the curved band needs something. I told him that it gives a resting area for the eye but the more I look at it, I wonder if it could use a thin dark blue band. What do you all think?

technique: saturated wet on wet, Daniel Smith colors used: Quin. Red, Hansa Yellow Md, Ultramarine Blue, Indanthrone Blue, Indigo and Moonglow.

 

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painting #2 on Canson Heritage

I love the softness to this one and yet it needs some “zing” and at the same time, I love it the way it is. I might let this sit for a spell and maybe I’ll add more to it or call it finished.

Technique: saturated wet on wet. Daniel Smith colors used: Quin. Red, Hansa Yellow Med., Cobalt Blue, Moonglow

*A word about photos. The photos on my blog are mine, taken by me and copying them would be stealing from me. If you find a photo that you would like to copy or use, I request that you ask me for permission and I expect you to give me full credit for my own photo. Thank you so very much.

 

 

 

 

Moonlight Abstract #2 and Falls

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Moonlight #2 on Canson Heritage 140# 11 x 14 inches
I didn’t have much of an idea in mind when I started this second painting in the series. Here is the first in the series: Moonlight Abstract #1 I started out with the orientation of the moon more to the right and by the time I was finished, I liked the painting switched around. I painted this wet on wet and painted only what I felt moved make a mark. I always stand while I paint and I step away often and tilt my head, it helps with perspective.
I painted only when I was in the groove and as soon as my creative vision waned, I stopped immediately. I take a break up to 20 minutes and come back to paint only if I had that creative zone happening. Again, as soon as I sensed that it waned, I stepped away. I also don’t judge the painting when I am not in a session.
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Falls on Canson Heritage 140# 11 x 14 inches
I had started this during the weekend and finally finished it up today. I painted this saturated wet on wet which is fast becoming one of my favorite ways of painting. This paper is also one of my all time favorite paper for this technique. I painted this one intuitively and didn’t adhere to realism which is becoming more and more of my preferred way to paint.

Moonlight Abstract #1

 

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I have started a series of abstracts that will be based upon some photos that I took of the full moon. I think that this is the first abstract that I like very much. They are quite difficult to do at least in my opinion. I am wanting to venture out and being more creative and not so reliant upon realism. Reason being is that I am hoping to be more creative and search for the style that I ultimately am reaching for.

 

The Weary Paints On!

 

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painting #1 wip on Arches 140# 11 x 14 inches

I have been struggling with an intense cold but I still manage to paint. No holding back now! This abstract is one that I keep visible while I work on other paintings. I keep painting on it in increments but only adding what I feel it needs and no more. In a way it is an artistic muscle builder.

 

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painting #2 on Arches 140# cp  11 x 14 inches

I am not sure if I like this one, and yet when I am working on it, I love it. The critic in me wants to jump all over it. This is based on my trip over to remote Bear Valley in Glenn Co.

 

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painting #3 on Canson Heritage cp 140# 11 x 14 inches

I practiced my wet on wet on this paper hoping to go very impressionistic. I pulled out shapes as I saw them. I over-worked the left side and basically lost my focal point. No matter, there are more paintings waiting and more lessons to be learned.

 

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painting #4 on Canson Heritage cp 140# 11 x 14 inches

I again decided to paint wet on wet and I really love how you can work on a painting for over 2 hours non-stop. My photo made that area behind the sun-lit trees too blue, it is actually a grayed down purple/blue and green color. There is a point that you know that you have to wait for it to dry before proceeding to add your calligraphy  marks or to correct. This paper is perfect for this technique and it dries extremely flat which I really like.

*A word about photos. The photos on my blog are mine, taken by me and copying them would be stealing from me. If you find a photo that you would like to copy or use, I request that you ask me for permission and I expect you to give me full credit for my own photo. Thank you so very much.

 

 

 

 

 

Looking Back at 2016

My  goodness time sure flies and here we are just at the door of 2017. I have been busy painting but posting only when I feel something is ready. I really like my slow approach. I have been painting a lot behind the scenes but slowing down my posting, it makes sense for me because I want to focus more on the art. Bear with the length of the images, I have been having a difficult time with uploading photos and having my page get stuck many times. This is the easiest way to put together this post. I will do a post in the next few days of my favorite photos of 2016 as I am getting impatient with how long this is taking. It has been a fantastic year and I am looking forward to what 2017 will hold for me and my art endeavors.

Here are my favorite paintings of the year, first the pastels:

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My intuitive painting

 

Now for the watercolors that I liked the best:

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My most favorite watercolor painting

 

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another all time favorite!

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*A word about photos. The photos on my blog are mine, taken by me and copying them would be stealing from me. If you find a photo that you would like to copy or use, I request that you ask me for permission and I expect you to give me full credit for my own photo. Thank you so very much.

 

 

 

 

 

 

 

 

I’m Back!

 

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Foggy November Morning

After taking an entire month off from blogging, I am ready to come back, slowly that is. I found that I enjoyed having some time away from the pressure of blogging. I think that I have a sensible plan on how to proceed in my coming months of blogging. First of all I am thinking that sometimes I push paintings  to a finish in order to post them. I will not be doing that, so you’ll see that I’ll post not as often. December will be an easy going month in regards to my getting back to blogging, in other words, I am treating the month as a semi retreat.

These are some of the paintings that I worked on this past month. Some of either close to finishing or needing more work. I really have learned that I am not going to push paintings to a finish as I have in the past. I can’t entirely blame this bad habit on blogging but my insistence that I have to have an end product…now!

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I enjoyed working on these in the studio I had a few problems here and there but isn’t that pretty normal?

 

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Semi-abstract of oak trees along the North Yuba Trail

 

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Reflection at Little Bear Lake 

I have quite a bit of work yet to do with this one, a wip and that’s alright.

 

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Trees on the Bear Lakes Trail

 

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wip semi-abstract of mossy trees

 

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wip of the North Yuba

 

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wip of mossy trees on the Bear Lakes loop trail

The above painting is about 30% washed out, the colors are far more vivid than they appear in this photo

Now for some abstracts! Below:

 

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Abstract #1

 

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abstract #2
I had a bit of trouble trying to get this post put together, I was hoping to number the paintings but WP is acting a little odd and as I tried to number them, it was really messing up my layout. I will upload this before I lose it!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Faded Roses-abstract

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on Saunders 200# 11 x 14 inches

I didn’t feel like working on my current studio painting of the river, wanting to leave that for another special day of painting. I had a vase of red roses that were dried up left over from my birthday and I thought I would use them as inspiration. The reds are darker and richer than you see in the photo, a nice kind of pop.

Do you see roses in this? I don’t either, but does it really matter? I used them as a kicking off point and it is alright that they didn’t make an appearance, their “scent” is in there somewhere.

I am undecided if this is finished or not and wondering if my addition of the green curly cue shapes are a hit or miss. I am not liking them too well. I might give it some thought and see if I need to continue or flip it over and paint on the other side. I really detest the ones at the bottom center. I am thinking if I were to go in and do something about those shapes, that I’ll mess it up.

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One of my favorite parts in the painting

Learning Points:

  • Short and sweet….have fun!