I felt like a wet on wet painting day going for an atmospheric minimal kind of approach. This photo doesn’t show the depth of color as it should but you get the idea. This is the second time I have painted this particular scene which is Sand Pond looking away from the Sierra Buttes, here is that post (painting #2) Watercolor Mayhem. I might bring in just a tad more value changes but then I might leave it alone. I have found that Fabriano is wonderful for wet on wet work. After using other papers, Fabriano doesn’t have the texture that I adore. I want a paper that has a responsive surface, Fabriano has a cardboard feel to me. I do enjoy using the Softpress variety of Fabriano, so when I discovered that Fabriano is perfect for wet on wet, I decided that I will be buying more of it. One of my favorite artists, Cheng-Khee Chee uses Fabriano for his saturated wet on wet work. I almost decided not to buy it again, I am so happy that I changed my mind. It is also perfect in wiping off color to the white of the paper with this technique.
This is a painting that I started over a week ago as a plein air and I am not so sure if it is finished or not. It started out as a waterfall but I liked it turned around and now it looks like an abstract river landscape. I have been keeping it up where I can easily view it and as I see what I need to do, I work on it, otherwise it sits quietly waiting. What’s the rush?
colors used: Cerulean Blue, Burnt Sienna, Ultramarine Blue, Hansa Yellow Med., Green Gold
Wet on wet is fun!
Starting a painting without drawing exercises the artistic eye, no harm done.
Don’t be afraid to let a painting sit unfinished, sometimes it takes a bit to cook a fantastic painting.
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